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The asshole line became a meme before I could even hear it, so I was ready to be “meh” on this but it actually made me laugh my bleach-stained T-shirt off. Shash’U: “Ultra” reminds me of “Graduation Day.” Though they don’t sound the same, they both carry Kanye’s ‘gospel’ tone, which he’s been sharing with us since College Dropout. Yeah, Kelly Price man, I gotta get familiar.

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Kelly Price though, wow just fire.ĭarcy: As an intro, it definitely ranks with the power Kanye knows how to kick things off with. Shash’U: I love that he’s on it I think he’ll make new fans with this one.

West has trust in people who’ve been down with him since forever.ĭarcy: Chance the Rapper ills this joint, too. With writers and producers like Fonzworth, Swizz Beatz, Mike Dean and Rick Rubin in the equation, it shows how much Mr. Shash’U: Yeah, I gotta say, when it comes to introducing an album, Ye got the juice. This track sorta feels like some of those alternate takes…especially when the horn comes in. Nerd know they left a shit tons of versions on the cutting room floor. I sent that to Shash’U, he came back with his own take on things, and here and there I’ve replied or added a little to what I initially said.ĭarcy: The woozy, backwards samples and sporadic drums evoke ’67-’68 Beatles psych experiments. So I listened attentively - three times, hard, for the purpose of absorbing it a little, to be precise - and made my observations. “The Life of Pablo” by Kanye West cover art, designed by Belgian artist Peter De Potter “The Life of Pablo”ĭarcy MacDonald: Overnight last Saturday, two things happened: The Life Of Pablo by Kanye West finally dropped digitally, and Montreal-based DJ/producer and Fool’s Gold recording artist Shash’U hit me up from Switzerland to see if I wanted to do a track-by-track, B2B-style review.

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